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Freaks and B/Witches

Bibliographic Data

ID8252555
AuthorsJasmine A Moore (0000-0001-9333-2730, corresponding author)
Year2023
Volume7
Issue1
Pages28-43
Publication date2023-04-01
Open AccessYes
TypeARTICLE
Venueliquid blackness (JOURNAL)
Journal identifiersISSN: 2692-3874 • E-ISSN: 2692-3874
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/26923874-10300456
OpenAlexW4366728295
LanguageEN
Citations received1
References cited14

This annotated playlist follows Missy Elliott's musical cinema. Paying particular attention to the use of speculative tropes, it argues that Elliott's work draws on Black feminist aesthetics to paint paths through memory, nostalgia, sexual autonomy, and spiritual rebellion. This mélange of speculative and sonic aesthetics creates what I call reverberative memory: a polytemporal structure that uses music and performance to tap into intergenerational memory. Using the aesthetic markers of speculative genres, Missy Elliott's videos fuse hip-hop to the conjuring of the blues, providing a generative commentary on sexuality, Black femininity, gender nonconformity, and pleasure. This critical layering of the strange and uncanny provide a utopic space in which Black feminist life thrives. The methodological focus of this essay draws on an array of Black scholarship that maps historical formations of blues aesthetics in order to address Black women in the horror genre; constructions of gender, aesthetic, and sonic mapping that exists in the music video form; and the spiritual ontology of nostalgia. Chiefly, this playlist highlights the pioneering art of Missy Elliott across a body of work that centers the vibrancy and vitality of Black women

Aesthetics · Art · Art history · Blues · Femininity · Human sexuality · Literature · Musical · Pleasure · Popular music · Sociology · Cinema and Media Studies · Gender Studies · Music History and Culture · Psychology · Race, History, and American Society

  • Expanding the discourse

    Open Access•Xi Ling, Yuanyuan Chen et al.•Frontiers in Sociology•2025

  • Babylon Girls

    David Krasner•The American Historical Review•2009

  • Afro-Fabulations

    Tavia Nyong’o, Tavia Nyong'O•Afro-Fabulations•2018

  • African American Gothic

    Open Access•Maisha Wester, Maisha L Wester•African American Gothic•2012

  • Afro-Gothic

    Open Access•Sybil Newton Cooksey, Tashima Thomas•liquid blackness•2022

  • On misogynoir

    Moya Bailey•Feminist Media Studies•2018

  • Mama's Baby, Papa's Maybe

    Hortense J Spillers•diacritics•1987

  • Venus in Two Acts

    Ellen Carol Dubois, Saidiya Hartman et al.•Unequal Sisters•2023

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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