Fresco and Lime‐paint
An Experimental Study and Objective Criteria for Distinguishing Between These Painting Techniques
Dados Bibliográficos
| ID | 8352148 |
|---|---|
| Autores | Rebecca Piovesan (0000-0002-8231-9845, University of Padua), Claudio Mazzoli (0000-0002-0374-8415, University of Padua), Lara Maritan (0000-0002-3796-1265, University of Padua), Paolo Cornale (0000-0003-0150-342X) |
| Ano | 2012 |
| Volume | 54 |
| Fascículo | 4 |
| Páginas | 723-736 |
| Data de publicação | 2012-08-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Archaeometry (JOURNAL) |
| Identificadores do periódico | ISSN: 0003-813X • E-ISSN: 1475-4754 |
| Editora | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1475-4754.2011.00647.x |
| OpenAlex | W2143582522 |
| Idioma | EN |
| Citações recebidas | 24 |
| Referências citadas | 10 |
Identification of the painting technique adopted by an artist is often debated in studies on the characterization, restoration and conservation of mural paintings. However, objective criteria to identify the two main lime‐based painting techniques, fresco and lime‐paint, have not yet been systematically verified on replicas. Replicas were painted following both fresco and lime‐painting techniques. A comparison of microstratigraphic sequences and distribution of chemical elements reveals systematic differences between the two techniques, providing objective distinguishing criteria. Samples from the Abbey of Chiaravalle (Milan, Italy) and Pompeii were also analysed, and the results were compared with experimental data to validate the recommended criteria
Art · Fresco · Lime · Mural · Painting · Visual arts · Building materials and conservation · Conservation Techniques and Studies · Cultural Heritage Materials Analysis · Geology · Paleontology
Preliminary Investigations within the Conservation of Wall Paintings In the Late Roman Villa of Paphlagonia Hadrianoupolis
Mural Painting Across Eras
The archaeological site of St. Maria Veterana (Triggiano, Southern Italy)
Characterising the unique polychrome sinopia under the Lod Mosaic, Israel
The Recent Discovery, Research, and Restoration of Medieval and Renaissance Frescoes in Riga Castle—A Treasure to the Baltic Region
Unexpected Findings in 16th Century Wall Paintings
A Non-Invasive and Sustainable Characterization of Pigments in Wall Paintings
Mosaic Technology in the Armenian Chapel Birds Mosaic, Jerusalem
The mural paintings of the cloister in the Certosa di Calci, Pisa
Analysis of pigments and mortars from the wall paintings of the Roman archaeological site of Las Dunas (San Pedro de Alcántara, Malaga S Spain)
The Lod Mosaics
Implementation of Red Ochre in Sinopia
A smartphone-based innovative approach to discriminate red pigments in roman frescoes mock-ups
An artificial intelligence-based semiquantitative method based on visible spectroscopy and imaging to analyse inorganic red pigments in wall paintings
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
Microstructure and Surface Properties of Frescoes Based on Lime and Cement
Wall Paintings from the Roman Emona (Ljubljana, Slovenia)
Probing the birthplace of the “Epirus/NW Greece School” of painting
Roman technological expertise in the construction of perpetual buildings
Wall paintings through the ages
Wall paintings through the ages
Pigments - Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Production recipes of mortar-based materials from ancient Pompeii by quantitative image analysis approach
The pigments of the frigidarium in the Sarno Baths, Pompeii
Study on the technique of the Roman age mural paintings by micro-XRF with Polycapillary Conic Collimator and micro-Raman analyses
Calcium carbonate binding mechanisms in the setting of calcium and calcium-magnesium putty-limes
Teodelinda's tales at Monza Cathedral
Ciro Ferri's frescoes
Panselinos' Byzantine wall paintings in the Protaton Church, Mount Athos, Greece
Investigation of the technology of historic mortars
Painting technique and state of conservation of wall paintings at Qusayr Amra, Amman - Jordan
| Obras citantes distintas | 24 |
|---|---|
| Citações por ano | 2 |
| Intervalo de citações | 2014 - 2025 (12) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 23 |