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Critiquing the politics of participatory video and the dangerous romance of liberalism

Bibliographic Data

ID8360303
AuthorsShannon Walsh (0000-0001-5089-8056, City University of Hong Kong, corresponding author)
Year2016
Volume48
Issue4
Pages405-411
Publication date2016-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArea (JOURNAL)
Journal identifiersISSN: 0004-0894 • E-ISSN: 1475-4762
PublisherWiley (PUBLISHER • GB)
DOI10.1111/area.12104
OpenAlexW2135022338
LanguageEN
Citations received47
References cited8

In this article I argue that participatory video must acknowledge its often technocratic, liberal presumptions, and take a more critical look at the political underpinnings of ‘empowerment’ and ‘voice’. I am interested in how we can use participatory video while resisting the romance of community, seeing beyond short‐term individualist approaches towards a longer‐term collective project of social justice. A reflexive approach to how power and agency work within participatory video is essential if the method is going to effect change and not merely manage social conflict. While the participatory video process can be discussed from many perspectives, I focus here on a critique of the often‐hidden politics of participatory video, its relation to academic research and in turn, to project participants within a progressive social change agenda

Agency (philosophy) · Citizen journalism · Participatory GIS · Political science · Politics · Public relations · Reflexivity · Social change · Social science · Sociology · Technocracy · Foucault, Power, and Ethics · Law · Participatory Visual Research Methods · Social and Cultural Dynamics

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Unique citing works47
Citations per year4,7
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 39

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