From fieldwork to frames
Insights from an auto‐ethnographic comic on the French‐Italian border of Ventimiglia
Bibliographic Data
| ID | 8360767 |
|---|---|
| Authors | Silvia Aru (0000-0002-7411-7020, University of Turin, corresponding author) |
| Year | 2024 |
| Volume | 56 |
| Issue | 2 |
| Publication date | 2024-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Area (JOURNAL) |
| Journal identifiers | ISSN: 0004-0894 • E-ISSN: 1475-4762 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/area.12915 |
| OpenAlex | W4390236258 |
| Language | EN |
| Citations received | 2 |
| References cited | 30 |
This paper examines The diary from the border: Ventimiglia , an auto‐ethnographic comic based on intensive fieldwork in the Italian border city of Ventimiglia from September to December 2018. The primary objective of my empirical research was to explore the socio‐spatial effects of France's reintroduction of border controls in the area since 2015, mainly targeting irregular mobilities within the European Union (EU). This study presents the auto‐ethnographic comic by delving into two crucial aspects. Firstly, it illuminates the rationale behind utilising an auto‐ethnographic comic as a research output, shedding light on the creative process involved in its conception. Secondly, it explores its composite narrative plot, encompassing three key elements: ‘me’ (the researcher's personal experiences extending beyond the fieldwork), ‘me in Ventimiglia’ (the researcher's encounters during the fieldwork), and ‘Ventimiglia itself’ (the French‐Italian border regime). By fostering a trans‐disciplinary dialogue encompassing migration issues, comics and life course theory, this paper enriches the geographical debate in three significant ways. It recognises the profound impact of the researcher's life events in shaping both research experiences and outcomes within and beyond the fieldwork. Additionally, it underscores the importance of auto‐ethnographic comics in challenging dominant narratives and visually portraying the multifaceted experiences of migration. Lastly, it contributes to the ongoing discussion on visual methods within geography and advocates for using comics as a compelling tool to disseminate research findings, fostering empathy and a comprehensive understanding of migration experiences
Aesthetics · Art · Comics · Discipline · Empathy · Ethnography · Literature · Media studies · Mobilities · Narrative · Political science · Social science · Sociology · Visual arts · Anthropology · Law · Participatory Visual Research Methods · Psychology · Qualitative Research Methods and Ethics · Social Psychology
Controlling immigration
The ethnographic novel as activist mode of existence
The Emergence and Development of Life Course Theory
Reclaiming migration
Social Identities across the Life Course
Fenced In
Critical approaches to transit migration
Mediating messiness
New Writing Practices in Qualitative Research
Situating knowledges
Abandonment, Agency, Control
A life course approach to the field and fieldwork
Maybe you will remember’
Sketching local development
Understanding ethnography through a life course framework
Making hidden spaces visible
Leaving the field
When [inter]personal becomes transformational
Containment beyond detention
The Ashgate research companion to media geography
Exploring the Critical Potential of the Borderscapes Concept
Personality
Comic Book Geographies
Memories from the 'invisible city
An Introduction to the Arts and Narrative Research
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 1 |