The fine art of fusion
Race, gender and the politics of South Africanism as reflected in the decorative programme of South Africa House, London (1933)
Bibliographic Data
| ID | 8364219 |
|---|---|
| Authors | Federico Freschi (0000-0002-9515-3303, Division of Visual Arts at the University of the Witwatersrand School of Arts, Johannesburg., corresponding author) |
| Year | 2005 |
| Volume | 40 |
| Issue | 71 |
| Pages | 14-34 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | de arte (JOURNAL) |
| Journal identifiers | ISSN: 0004-3389 • E-ISSN: 2471-4100 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00043389.2005.11884546 |
| OpenAlex | W2302343410 |
| Language | EN |
| Citations received | 2 |
The official opening on 22 June 1933 of South Africa House, the home of the South African High Commission on London's Trafalgar Square, was the occasion of as much pomp and ceremony as the increasingly beleaguered British Empire could muster
Art · Political science · Politics · Race (biology) · Sociology · Gender Studies · Law · South African History and Culture
| Citations per year | 0.11 |
|---|---|
| Citation span | 2007 - 2009 (3) |
| Highly cited | No |