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Ryckaert at work

A Flemish painter's view of labour

Bibliographic Data

ID8364411
AuthorsBernadette van Haute (0000-0003-0261-931X, Department of Art History, Visual Arts and Musicology at the University of South Africa., corresponding author)
Year2008
Volume43
Issue77
Pages4-19
Publication date2008-01-01
Open AccessNo
TypeARTICLE
Venuede arte (JOURNAL)
Journal identifiersISSN: 0004-3389 • E-ISSN: 2471-4100
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00043389.2008.11877087
OpenAlexW1553067689
LanguageEN
References cited5

In his depictions of men at work, David III Ryckaert reveals an acute awareness of social differentiation on the basis of professional identity. The craftsman is invariably depicted as an example of industry and diligence, a view strengthened by the inclusion of the artisan’s spinning wife. Ryckaert, however, made sure to remind the viewer of the fundamental baseness of the labouring classes, whereas professions of a more intellectual nature (such as artists) were treated with greater respect. This reflects the artist’s desire, shared by his clients, to consolidate and justify the social order. By using his art ‘tot leeringh vande jeught’ (to instruct the youth), he actively contributed to the shaping of social norms

Archaeology · Art · Art history · Flemish · Painting · Sociology · Work (physics) · Architecture and Art History Studies · Engineering · Financial Crisis of the 21st Century · Historical Architecture and Urbanism · History · Mechanical Engineering

Highly citedNo

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