Collective Jamais Vu
The Effects of Counter-Narratives in the Puppetry of Monuments
Bibliographic Data
| ID | 8364441 |
|---|---|
| Authors | Shanade Barnaba (0000-0001-9915-9393, University of Groningen, corresponding author) |
| Year | 2025 |
| Volume | 60 |
| Issue | 2 |
| Pages | 80-97 |
| Publication date | 2025-05-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | de arte (JOURNAL) |
| Journal identifiers | ISSN: 0004-3389 • E-ISSN: 2471-4100 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00043389.2025.2563409 |
| OpenAlex | W4416341920 |
| Language | EN |
| References cited | 37 |
Field (mathematics) · Period (music) · Puppetry · Representation (politics) · Tact · Caribbean history, culture, and politics · Memory, Trauma, and Commemoration · Public Spaces through Art
Uses of Heritage
Introduction
Political vandalism as counter‐speech
The the the the induction of jamais vu in the laboratory
Engagement with Colonial and Apartheid Narratives in Contemporary South Africa
Fallen Monuments and Contested Memorials
The meanings of monuments and memorials
The 2019–2020 Chilean anti-neoliberal uprising
Transforming problematic commemorations through vandalism
Urban fallism
Conquest, Natives, and Forest
Monuments, memory and marginalisation in adelaide's prince henry gardens
Constructing landscapes of power
Vandalism as a Mode of Visual Sovereignty
Introduction to the Special Issue on Reframing Confederate Monuments
Tiananmen square and the politics of place
Defacement
Between iconophilia and iconoclasm
Cast in Stone
Indigenous Peoples and Modernity
Between Memory and History
Contemporary archaeology in conflict zones
Perceived discrimination amongst the indigenous Mapuche people in Chile
Targeting Statues
| Citation velocity | historical |
|---|---|
| Highly cited | No |