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Unsettling Space

Reinterpreting the Institution Using Site-Responsive Art

Datos Bibliográficos

ID8364638
AutoresKatherine Arbuckle (0000-0001-6801-5485, University of KwaZulu-Natal, autor de correspondencia), Pumelela Nqelenga (0000-0001-9376-7400, University of KwaZulu-Natal)
Año2019
Volumen54
Número3
Páginas23-40
Fecha de publicación2019-09-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
Revistade arte (JOURNAL)
Identificadores de la revistaISSN: 0004-3389 • E-ISSN: 2471-4100
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00043389.2019.1623471
OpenAlexW3010396107
IdiomaEN
Citas recibidas3
Referencias citadas11

In a collaborative project at the University of KwaZulu-Natal (UKZN), students from the Visual Arts and the Drama and Performance Studies programmes explored institutional space through site-responsive performances. The aim of the project was to critically engage with the decolonial turn, to enact transformation, and to build students’ ownership of institutional space using contemporary art practices. This article describes a participatory art event on campus, highlighting the central role of communication and dialogue in the process leading up to its execution. Despite having been publicly lauded as a model of transformation, UKZN was badly affected by violence and arson attacks during the student protests which rocked South African universities in 2016, a reminder that transformation rhetoric does not address the daily experiences and struggles of students to navigate the academic and societal demands of higher education. This project aimed to create an opportunity for students to identify and respond to symbolic aspects of higher education they experienced as alienating, and to literally occupy and “unsettle” their learning environments. It was inspired by the notion of site-specific art created in a particular physical location/structure, which can be collaborative and subversive, and is able to cross established boundaries. The physical properties of a site can be used to explore complex symbolic relationships, by highlighting stories, events, and the meanings we attach to places. The process can be used to regenerate space in an empowering manner. In the context of this project, regeneration follows unsettling—the decolonisation and reinvention of institutional space

Art · Citizen journalism · Context (archaeology) · Drama · Institution · Linguistics · Pedagogy · Political science · Public relations · Rhetoric · Social science · Sociology · Space (punctuation) · The arts · Visual arts · African cultural and philosophical studies · Computer Science · History · Law · Participatory Visual Research Methods · South African History and Culture

  • Redress at Higher Education Institutions in South Africa

    Michaela Clark, Elmarie Costandius•de arte•2020

  • Curriculum Change in the Postcolonial Art History Classroom

    Nicola Cloete•de arte•2023

  • Locus of Struggle

    Krystal Strong, Jimil Ataman•Journal of African Cultural Studies•2023

  • Body and mind in Zulu medicine

    Harriet Ngubane•Body and mind in Zulu medicine•1977

  • Picturing Change

    Brenda Schmahmann•Picturing Change•2013

  • Fees Must Fall

    Susan Booysen•Fees Must Fall•2016

  • Finding Voice

    Open Access•Kim Berman, Kim Shelley Berman•Finding Voice•2017

  • Decolonisation of higher education

    Open Access•Savo Heleta•Transformation in Higher Education•2016

  • What works, for whom, and in what circumstances? Towards a critical realist understanding of learning in international and comparative education

    Open Access•Leon Tikly•International Journal of…•2015

  • The Social and the Aesthetic

    Open Access•G Born•Cultural Sociology•2010

Obras citantes distintas3
Citas por año0,5
Intervalo de citas2020 - 2023 (4)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 3
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