The consolidation of art and craft through self-reflexivity
Considering Guy du Toit's (bronze) thumb(s)
Bibliographic Data
| ID | 8364642 |
|---|---|
| Authors | Pieter Swanepoel (0000-0002-6481-0673, Department of Art History, Visual Arts and Musicology at the University of South Africa., corresponding author) |
| Year | 2005 |
| Volume | 40 |
| Issue | 72 |
| Pages | 17-29 |
| Publication date | 2005-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | de arte (JOURNAL) |
| Journal identifiers | ISSN: 0004-3389 • E-ISSN: 2471-4100 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00043389.2005.11877042 |
| OpenAlex | W2345513812 |
| Language | EN |
| Citations received | 1 |
| References cited | 10 |
Current Matters, one of Guy du Toit's more recent works, is self-referential in the true postmodern sense of the word: through being light-hearted or playful at the best of times, it draws the viewer?s attention to the many paradoxes that still exist within the art world, a world of, and within which, this work is part and operates - hence, Current Matters
Aesthetics · Art · Art history · Bronze · Consolidation (business) · Craft · Humanities · Literature · Postmodernism · Reflexivity · Social science · Sociology · Visual arts · Art, Politics, and Modernism · Artistic and Creative Research · Crafts, Textile, and Design · History
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |