Young, Bubbly, and Black
The Affective Performance of Black Girlhood in Kirsten Childs's The Bubbly Black Girl Sheds Her Chameleon Skin
Bibliographic Data
| ID | 8388137 |
|---|---|
| Authors | Jordan Ealey (0000-0002-6441-1680, corresponding author) |
| Year | 2020 |
| Volume | 50 |
| Issue | 4 |
| Pages | 55-64 |
| Publication date | 2020-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Black Scholar (JOURNAL) |
| Journal identifiers | ISSN: 0006-4246 • E-ISSN: 2162-5387 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00064246.2020.1810381 |
| OpenAlex | W3111249597 |
| Language | EN |
In 1999, The Bubbly Black Girl Sheds Her Chameleon Skin by Kirsten Childs premiered at Playwrights Horizons, a non-profit theatre company in New York City, starring future Tony Award winner LaChanz
Art · Black female · Black feminism · Black male · Black swan theory · Black women · Developmental psychology · Epistemology · Girl · Sociology · Gender Studies · Philosophy · Psychology · Theatre and Performance Studies
| Highly cited | No |
|---|