Using Mise en abyme to Differentiate Deleuze and Derrida
Bibliographic Data
| ID | 8409474 |
|---|---|
| Authors | Iddo Dickmann (0000-0002-1872-8783, UCLouvain, corresponding author) |
| Year | 2017 |
| Volume | 48 |
| Issue | 1 |
| Pages | 63-80 |
| Publication date | 2017-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the British Society for Phenomenology (JOURNAL) |
| Journal identifiers | ISSN: 0007-1773 • E-ISSN: 2332-0486 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00071773.2016.1217664 |
| OpenAlex | W2511676386 |
| Language | EN |
| Citations received | 1 |
| References cited | 14 |
In this paper I shall tackle the problem of differentiating Deleuze and Derrida. Various writers have done so, comparing these philosophers’ conceptions of repetition and difference. I shall attempt to enrich, sharpen and sometimes criticize these writers by exploring the paradigm through which Deleuze and Derrida have (explicitly) reflected upon repetition and difference in the first place: the mise en abyme, a literary concept designating a work that doubles itself within itself. I shall argue that Derrida applied to his theory of difference a degenerated picture of the mise en abyme, which I shall term the “lacunal”, and which would cause him, against himself, to grasp the concept of difference “logocentrically”. On the other hand, Deleuze – attending to the actual emblem and to what literary theorists had to say about it – drew its correct lesson: the Other is less that which challenges Totality than the very coexistence between the Other-than-Totality and the Totality it challenges
Art · Emblem · Epistemology · GRASP · Linguistics · Literature · Reflexive pronoun · Repetition (rhetorical device) · Computer Science · Digital Media and Philosophy · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
Postmodernist Fiction
The Truth in Painting
Gilles Deleuze and the Theater of Philosophy
Differentiating Derrida and Deleuze
The Post Card
Dissemination
The Book as Assemblage with the Outside” – The Rhizomatic Book as a Radical Case of “Open Work”
The tain of the mirror
Worlds Within Worlds? The Paradoxes of Embedded Fiction
Ambiguity and Narrative Levels
A Structural Model of Phenomena with Embedding in Literature and Other Arts
From Reflexivity to Reading
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |