Teaching creative geovisualization
Imagining the creative in/of GIS
Bibliographic Data
| ID | 8423819 |
|---|---|
| Authors | Jin‐kyu Jung (0000-0001-7222-2532, University of Washington Bothell, corresponding author) |
| Year | 2020 |
| Volume | 64 |
| Issue | 4 |
| Pages | 512-528 |
| Publication date | 2020-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Canadian Geographies / Géographies canadiennes (JOURNAL) |
| Journal identifiers | ISSN: 0008-3658 • E-ISSN: 1541-0064 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/cag.12657 |
| OpenAlex | W3093823096 |
| Language | EN |
| Citations received | 3 |
| References cited | 52 |
Creative geovisualization is situated at the intersection of geography, arts, and digital humanities with a particular emphasis on visualization and mapping that preserves, represents, and generates more authentic, contextual, and nuanced meanings of space and people with an artistic and humanistic perspective and approach. This is a creative expansion in critical GIS practices and a new alternative to traditionally science‐rooted approaches to GIS and mapping. Reflecting the experience of teaching a “creative geovisualization” course in an interdisciplinary curriculum, I demonstrate how critical and creative scholarship with mapping and geovisualization is introduced in the classroom and is illuminated in the students' creative practices. The class encompasses key epistemological and methodological groundings of creative geovisualization—including non‐representational theories; critical cartography and GIS; the convergence of geography, arts, and humanities; psychogeography; and qualitative and affective geovisualization. Empirical examples of students' works illustrate the blending of different modes of creative engagements with GIS and geovisualization and specific ways to work with various forms of embodied, relational, interpretive, and expressive geographies. GIS and mapping become creative as they continue evolving in process, and it is time that we deeply (re‐)imagine “the creative” in/of GIS in critical GIS pedagogies
Data science · Geography · Geovisualization · Information visualization · Situated · Sociology · Visualization · Artificial Intelligence · Computer Science · Geographic Information Systems Studies · Geography Education and Pedagogy · Historical Geography and Geographical Thought
Geography and Vision
The Discovery of Grounded Theory
Introduction
Atlas of emotion
What is visualisation
Deconstructing the Map
Still Deconstructing the Map
Lynch Debord
Knowledge Production through Critical GIS
Inductive Visualization
Affect and Emotion with A World at Stake
GeoJournal
Crossing the qualitative-quantitative chasm I
Geographic Information Science
Rethinking maps
Maps as social constructions
Cartography III
Lines, contours and legends
Theorizing maps with literature
Geography and the humanities
Cartography I
On the Need to Ask How, Exactly, Is Geography “Visual”
Maps and Legends
Unfolding mapping practices
Women and technology in geography
Critical GIS as a tool for social transformation
Art-Machines, Body-Ovens and Map-Recipes
Affecting Geospatial Technologies
A thousand plateaus
Cultural geography
Dialogues and Doings
Theorizing with GIS
Urban Interventions
Creativity and Geography
Nonrepresentational Theory and Me
Errant Paths
Grounded Visualization
Contours of a Spatialized Politics
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2020 - 2025 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |