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Joel Dinerstein. The Origins of Cool in Postwar America

Bibliographic Data

ID8645576
AuthorsCharles F Mcgovern (William & Mary, corresponding author)
Year2018
Volume123
Issue4
Pages1342-1343
Publication date2018-10-01
Open AccessYes
TypeARTICLE
VenueThe American Historical Review (JOURNAL)
Journal identifiersISSN: 0002-8762 • E-ISSN: 1937-5239
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ahr/rhy085
OpenAlexW2894840301
LanguageEN

Joel Dinerstein wastes no time in The Origins of Cool in Postwar America. From the outset he makes clear that “cool” was central to the making of American life after World War II. Cool was a moral code and an emotional disposition, a new mythos of American culture. He contends that cool was “authenticity, independence, integrity and nonconformity . . . a resistant mode of being in the world” (4–5). This sprawling, deeply researched account offers multiple entry points into cool’s many lives in the arts and the everyday. Ranging over two decades, three continents, diverse characters, and many genres, Dinerstein gives us a definitive account of an indefinite concept. His work does not reject previous scholarship but supersedes it by scope. Well-versed in contemporary scholarship, the author also evokes an older myth-and-symbol school of American studies without that literature’s crippling silences and blindness. Anyone working in postwar U.S. history should read this book

Aesthetics · Art · Independence (probability theory · Linguistics · Literature · Mythology · Nonconformity · Political science · Scholarship · Sociology · Symbol (formal · The arts · World War II · Classics · Engineering · Historical Studies and Socio-cultural Analysis · History · Law · Philosophy · Vietnamese History and Culture Studies

Highly citedNo

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