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West African Poetics in the Black Preaching Style

Bibliographic Data

ID8727151
AuthorsWalter Pitts (corresponding author)
Year1989
Volume64
Issue2
Pages137-137
Publication date1989-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Speech (JOURNAL)
Journal identifiersISSN: 0003-1283 • E-ISSN: 1527-2133
PublisherJSTOR (PUBLISHER)
DOI10.2307/455040
OpenAlexW2315924530
LanguageEN
Citations received5
References cited3

IN SPITE OF THE INTEREST THAT THE BLACK fundamentalist preaching style has raised in scholarly research, very little is known about the actual mechanics used by black preachers to effect their sermons. Since Rosenberg's seminal study (1970), scholars of the black preaching style have consistently reported three stages in the organization of the black folk sermon: a conversational introduction lasting only a few minutes, an emotional buildup, and finally a climax (Gumperz 1982, 189; Raboteau 1981; Roberts 1974, 176; Rosenberg 1970, 36; Wright 1976). Although observers of the folk style have made serious insights into its delivery, the impression still remains that the black folk sermon's content is built upon a string of incoherencies founded on illogic and emotional extremes (Pipes 1951). The purpose of this paper is to offer an exploratory illustration of the black sermon's organization around not only prosodic variation but also a shift of language functions between semantic reference and verbal aesthetics found in the pre-climactic and climactic stages, respectively, of the sermon. Investigation suggests that the sheer nonsense of black folk preaching that humored earlier white observers or embarrasses contemporary black ones has an underlying function that is not just referential but, more importantly, aesthetic-whose artistry stretches back to West Africa

Art · Literature · Poetics · Poetry · Style (visual arts · Media, Communication, and Education · Pentecostalism and Christianity Studies · South African History and Culture · History

  • Amen and Hallelujah preaching

    Open Access•Cheryl Wharry•Language in Society•2003

  • Conversation, Text, and Discourse

    Barbara Johnstone•Publication of the American…•2003

  • Accordin’ to the Gospel of Etymology”

    Open Access•Richard Bauman•Signs and Society•2018

  • Constructed dialogue in motivational discourse

    Irina Khoutyz, Irina P Khoutyz•Philological Sciences Scientific…•2022

  • Call and response

    Open Access•Laura Loeb•Discourse Studies•2014

  • I Got the Word in Me and I Can Sing It, You Know

    Bruce A Rosenberg, Gerald L Davis•Western Folklore•1987

  • Repetition in Oral Literature

    Bennison Gray•Journal of American Folklore•1971

Unique citing works5
Citations per year0,22
Citation span2003 - 2022 (20)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae