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Why aren’t you taking any notes?’ On note-taking as a collective gesture

Bibliographic Data

ID8857504
AuthorsLavinia Marin (0000-0002-8283-947X, Delft University of Technology), Sean Sturm (0000-0003-4011-7898, Faculty of Education and Social Work, The University of Auckland, Auckland, New Zealand, corresponding author)
Year2020
Volume53
Issue13
Pages1399-1406
Publication date2020-04-10
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEducational Philosophy and Theory (JOURNAL)
Journal identifiersISSN: 0013-1857 • E-ISSN: 1469-5812
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/00131857.2020.1744131
OpenAlexW3015591078
LanguageEN
Citations received2
References cited21

The practice of taking hand-written notes in lectures has been rediscovered recently because of several studies on its learning efficacy in the mainstream media. Students are enjoined to ditch their laptops and return to pen and paper. Such arguments presuppose that notes are taken in order to be revisited after the lecture. Learning is seen to happen only after the event. We argue instead that student’s note-taking is an educational practice worthy in itself as a way to relate to the live event of the lecture. We adopt a phenomenological approach inspired by Vilém Flusser’s phenomenology of gestures, which assumes that a gesture like note-taking is always an event of thinking with media in which a certain freedom is expressed. But Flusser’s description of note-taking focusses on the individual note-taker. What about students’ note-taking in a lecture hall as a collective gesture? Nietzsche considered note-taking ‘mechanical,’ as if students were automatons who mindlessly transcribed a verbal flow, while Benjamin considered it an inaesthetic gesture: at best, boring; at worst, ‘painful to watch.’ In contrast, we argue that the educational potentiality of note-taking—or better, note-making—can be grasped only if we account for its mediaticity (as writing that displaces the voice), together with but distinct from its political potentiality as a collective mediality (as a ‘means without end’). Note-taking enables us to see how collective thinking emerges in the lecture, a kind of thinking that belongs neither to the lecturer nor the student, but emerges in the relation of attention established between the lecturer, students and their object of thought

Aesthetics · Epistemology · Event (particle physics · Gesture · Linguistics · Mainstream · Phenomenology (philosophy · Sociology · Cybernetics and Technology in Society · Digital Media and Philosophy · Philosophy · Philosophy, Ethics, and Existentialism · Psychology

  • Pedir más a la Universidad en línea. ¿Podemos pensar juntos estando separados por una pantalla

    Open Access•Lavinia Marin•Teoría de la Educación Revista…•2022

  • Making marks while reading, with some remarks on the challenges posed by the digital world

    Marcus Lessa, Domício Proença Júnior et al.•Educational Philosophy and Theory•2022

  • The Pen Is Mightier Than the Keyboard

    Open Access•Pam Mueller, Pam A Mueller et al.•Psychological Science•2014

  • Note Taking as an Art of Transmission

    Ann Blair•Critical Inquiry•2004

  • Becoming Beside Ourselves

    Open Access•Brian Rotman, Timothy Lenoir•Becoming Beside Ourselves•2008

  • The Human Condition

    Hannah Arendt, Margaret Canovan•Human Condition•1998

  • The Minor Gesture

    Open Access•Erin Manning•Minor Gesture•2016

  • The Lecture as a Transmedial Pedagogical Form

    Open Access•Norm Friesen•Educational Researcher•2011

  • Academic Charisma and the Origins of the Research University

    William C Clark, William Clark•Academic Charisma and the Origins…•2005

  • Taking Note(s)

    Lorraine Daston•Isis•2004

Unique citing works2
Citations per year0,5
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2
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