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The Functions of Anglo-Saxon Poetry

An Old English Text Typology

Bibliographic Data

ID8862411
AuthorsJ Rubén Valdés Miyares (0000-0001-9564-595X, Universidad de Oviedo, corresponding author)
Year2019
Volume100
Issue7
Pages739-766
Publication date2019-05-23
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEnglish Studies (JOURNAL)
Journal identifiersISSN: 0013-838X • E-ISSN: 1744-4217
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0013838x.2019.1604013
OpenAlexW2946584917
LanguageEN
Citations received1
References cited31

Linguistic functionalism provides a method to distinguish five basic functions that Anglo-Saxon poetic texts performed. One was the aesthetic function which enabled the scop to display traditional themes and motifs as a “word-hoard” of poetic treasures; another was a metalinguistic game which probed readers’ interpretive skills; a third offered gnomic advice; the fourth sought a pragmatic effect on either the reader’s mind or the course of nature, and the fifth opened the imagination to allegorical vision. One of those macrofunctions tends to prevail in each text, determining its main genre, but interacting with others and with various subfunctions; this involves a polyphony of meanings that engages the audience in ways derived from the oral context. By discussing cases from the corpus of Old English poetry, this article outlines a pragmatic frame of analysis for the main uses of language in the texts, additionally informed by post-structuralist contextualism and cognitive approaches

Art · Cognitive science · Context (archaeology · Functionalism (philosophy of mind · Linguistics · Literature · Old English · Poetry · Polyphony · Sentence · Language, Metaphor, and Cognition · Linguistic Variation and Morphology · Medieval Literature and History · Psychology · History · Philosophy

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1
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