Castration Desire
Less Is More in Ishiguro's Never Let Me Go
Bibliographic Data
| ID | 8862986 |
|---|---|
| Authors | Robinson Murphy (0000-0002-5263-6911, Hobart and William Smith Colleges, corresponding author) |
| Year | 2021 |
| Volume | 102 |
| Issue | 6 |
| Pages | 759-777 |
| Publication date | 2021-07-27 |
| Open Access | No |
| Type | ARTICLE |
| Venue | English Studies (JOURNAL) |
| Journal identifiers | ISSN: 0013-838X • E-ISSN: 1744-4217 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/0013838x.2021.1952679 |
| OpenAlex | W3184956649 |
| Language | EN |
| References cited | 42 |
According to orthodox psychoanalysis, “castration” is always negative: to lose the “phallus” is to lose everything. Against this account, this article argues that “castration desire” offers a model for sustainable relationality on an imminently eco-apocalyptic earth. Using the novel Never Let Me Go (2005) to explicate castration desire, this article posits that Kazuo Ishiguro's organ-donating clones – in acquiescing to their own diminishment, and thereby signalling a more other-oriented relationality – teach a comparatively privileged reader how to desire castration. This article moreover demonstrates how the less-is-more ethic of castration desire can help theorise the intersection of the environmental humanities and queer studies in order to help unpick the acquisitive logic of a globalised world that otherwise has us on a track to ecological ruin
Castration · Intersection (aeronautics · Psychoanalysis · Queer · Sociology · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · Engineering · Gothic Literature and Media Analysis · Medicine · Psychology · Gender Studies · Internal Medicine
Senses of the Subject
Posthuman Capital and Biotechnology in Contemporary Novels
The Storyteller’s Nostos
“Not Properly Human”
The Time that Remains
Servile Life
No Future
Bureaucracy and narrative possibilities in Kazuo Ishiguro’s Never Let Me Go
Certainly forbidden” subjects
Science and the cultural imaginary
Ishiguro's Diptych
The Affective Turn in Contemporary Fiction
Clone Stories
Days of Past Futures
Imitations of life
Life-Times of Disposability within Global Neoliberalism
Suffering Agency
| Highly cited | No |
|---|