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Interconnections between Art and Commerce

Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)

Bibliographic Data

ID8863459
AuthorsDeirdre F Brady (Mary Immaculate College, St. Patrick's Campus, Ireland, corresponding author)
Year2023
Volume104
Issue6
Pages1077-1096
Publication date2023-08-18
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnglish Studies (JOURNAL)
Journal identifiersISSN: 0013-838X • E-ISSN: 1744-4217
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0013838x.2023.2257085
OpenAlexW4388836320
LanguageEN
References cited17

This essay examines the interconnections between art and commerce that lie behind cultural production. Using the case study of the Irish Women Writers’ Club (1933–1958), it explores the political, cultural, and social realms in which alliances are formed and supported, and the intersections between culture and the business of books, art, and politics, reading committees and readers. It extends on recent scholarship which positions women writers firmly at the centre of Irish literary life in the mid-twentieth century, offering new unpublished accounts of the club, their public activities and reading practices, and the machinations behind the reading committee that awarded the literary prize, the Book of the Year, from the period 1936–1939. As progressives, they leveraged their connections, national and international, to maintain a space for female intellectual thought while keeping alive the tradition of women's writing for future generations

Aesthetics · Art · Club · Irish · Literature · Media studies · Period (music · Political science · Politics · Reading (process · Scholarship · Sociology · Irish and British Studies · Modernist Literature and Criticism · Scottish History and National Identity · History · Law

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Citation velocityhistorical
Highly citedNo

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