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Hellish Falls

Faustus's Dismemberment, Phaeton's Limbs and Other Renaissance Aviation Disasters—Part II

Bibliographic Data

ID8864064
AuthorsTodd Andrew Borlik (0000-0003-3650-0966, corresponding author)
Year2016
Volume97
Issue4
Pages351-361
Publication date2016-03-04
Open AccessNo
TypeARTICLE
VenueEnglish Studies (JOURNAL)
Journal identifiersISSN: 0013-838X • E-ISSN: 1744-4217
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0013838x.2016.1138677
OpenAlexW4233116095
LanguageEN
References cited11

The first part of this essay (published in a previous issue of English Studies) grounded Marlowe's Doctor Faustus in the grisly history of Renaissance aviation. This continuation instead situates Marlowe's tragedy alongside other “Icarian” plays in the Admiral's repertoire that likely featured vertical ascents followed by horrific falls. While Part I spotlighted the links between Faustus and the failed aviators Icarus, Lucifer and Simon Magus, Part II reveals how Faustus's death evokes the flight disasters and subsequent dismemberments of Bladud and Phaeton—both of whom apparently featured in lost plays at the Rose. In presenting Faustus's “mangled limbs” on stage, the Admiral's Men would likely have recycled “Faetones lymes”, listed in Henslowe's property inventory. Phaeton's death could thus have provided an important literary and theatrical antecedent for the staging of Faustus's “hellish fall”. Collectively, these two articles hold a candle to the repertorial practices of the Admiral's Men, while showing how Repertory Studies can illuminate new dimensions of familiar plays like Faustus

Art · Art history · Dismemberment · Literature · Political science · Politics · The Renaissance · Tragedy (event · Folklore, Mythology, and Literature Studies · History · Law

  • Here's Nothing Writ

    Marjorie Garber•Theatre Journal•1984

Highly citedNo

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