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The Allegory of the Iron Fist

Transnational Ecofeminism in Monica Ali’s Brick Lane

Bibliographic Data

ID8865626
AuthorsLorna Fitzsimmons (Humanities, California State University, Dominguez Hills, USA, corresponding author)
Year2018
Volume99
Issue8
Pages904-921
Publication date2018-11-17
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEnglish Studies (JOURNAL)
Journal identifiersISSN: 0013-838X • E-ISSN: 1744-4217
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0013838x.2018.1519218
OpenAlexW2902660262
LanguageEN
Citations received3
References cited29

This article argues that Monica Ali makes extensive use of ecologically themed parallelism in her novel Brick Lane (2003). Ali uses this parallel structure to engage ecological, health, and social problems in East Pakistan, Bangladesh, and London. The parallelism serves to construct a larger ecological framework within which the migrant experience in London is brought into relief critically, complicating the assumption that Brick Lane focuses on the heroine’s “private world”. The article suggests that the novel is an allegory of development, within which images of metallic-projectile force against the female body are metonymic of the text’s ecofeminist practice

Allegory · Archaeology · Art · Art history · Biology · Brick · Ecofeminism · Environmental ethics · Fist · Sociology · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Utopian, Dystopian, and Speculative Fiction · Gender Studies · History · Philosophy

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    Open Access•Greta Gaard•Ecozon European Journal of…•2010

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Unique citing works3
Citations per year0,6
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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