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The Painter, Mateo Mexía, and his Works in the Convent of San Francisco de Quito

Bibliographic Data

ID8875664
AuthorsJosé De Mesa (Universidad Mayor de San Andrés, corresponding author), Teresa Gisbert (Universidad Mayor de San Andrés)
Year1960
Volume16
Issue4
Pages385-396
Publication date1960-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Americas A Quarterly Review of Latin American History (JOURNAL)
Journal identifiersISSN: 0003-1615 • E-ISSN: 1533-6247
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/978994
OpenAlexW2320017820
ISBN978994
LanguageEN
Citations received2
References cited6

The religious painting of Ecuador started very early. In fact, the first Franciscan friars who accompanied the conquistadores brought the visual arts to this new territory. Fr. Jodoco Ricke de Marselaer, with another priest, Fr. Pedro Goseal, or Gosseal, founded a school of art in 1534. In 1553 this school was raised by Fr. Francisco de Morales to the category of a college with the title of Colegio de San Andrés. In this school, until its extinction in 1675, a great part of the painters of the región were educated, not only Indians but also Creoles. The three main influences which molded this Quito school of painting were the following: It was born under the Flemish style at the Franciscan school of San Andrés; then it was influenced by the Spanish painting of the second half of the sixteenth century, and lastly it absorbed the teachings of two Italian masters. The influence of these three currents was felt in various ways: the Flemish appeared through the first Franciscans and through the engravings they constantly used in the composition of paintings; the Spanish appeared more directly in the style of the paintings themselves, and the Italian current, the last and most powerful, was the one which triumphed in all of America at the beginning of the seventeenth century

Ancient history · Archaeology · Art · Art history · Flemish · Painting · Style (visual arts · The arts · Visual arts · Historical Art and Architecture Studies · Historical Studies in Latin America · History · Latin American history and culture

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    Open Access•Susan Verdi Webster•The Americas A Quarterly Review…•2014

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    Open Access•John F Schwaller•The Americas A Quarterly Review…•2025

  • Holguín y la pintura altoperuana del virreinato

    Harold E Wethey•Hispanic American Historical Review•1957

  • Historia del arte hispanoamericano

    Elizabeth Wilder, Diego Angulo Iniguez•Hispanic American Historical Review•1947

  • Artes plásticas ecuatorianas

    Dorcas Worsley Reid, Jose Gabriel Navarro•Hispanic American Historical Review•1946

  • La pintura del siglo XVI en Sudamérica

    Harold E Wethey, Martin S Soria•Hispanic American Historical Review•1957

Unique citing works2
Citations per year0,17
Citation span2014 - 2025 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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