Silvio Romero and the Evolution of Literary Criticism in Brazil
Bibliographic Data
| ID | 8876136 |
|---|---|
| Authors | Alceu Amoroso Lima (corresponding author) |
| Year | 1954 |
| Volume | 10 |
| Issue | 3 |
| Pages | 277-288 |
| Publication date | 1954-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Americas A Quarterly Review of Latin American History (JOURNAL) |
| Journal identifiers | ISSN: 0003-1615 • E-ISSN: 1533-6247 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.2307/977934 |
| OpenAlex | W2029774232 |
| Language | EN |
REATION AND CRITICISM, in literature, are two complementary activities. Once I asked a poet what was the meaning of one of his poems, and his answer was this: “I don’t know. Such a task belongs to you, the critics, not to us, the poets.” Modern aesthetics is dominated by the conception that art is nothing but a question of expression and does not have any reference to communication . This is a consequence of the sway that Hegel’s philosophy continues to exert over the modern world
Aesthetics · Art · Criticism · Epistemology · Expression (computer science · Hegelianism · Literary criticism · Literature · Meaning (existential · Nothing · Poetry · Computer Science · Critical Theory and Philosophy · Literature, Culture, and Criticism · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |