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Lambert Barnard in Chichester Cathedral

Ecclesiastical Politics and the Tudor Royal Image

Bibliographic Data

ID8890712
AuthorsJonathan Woolfson (University of Florence, corresponding author), Deborah Lush (Ramblers)
Year2007
Volume87
Pages259-280
Publication date2007-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Antiquaries Journal (JOURNAL)
Journal identifiersISSN: 0003-5815 • E-ISSN: 1758-5309
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0003581500000913
OpenAlexW2131216020
LanguageEN
References cited37

Building on the pioneering work of Edward Croft Murray, this paper investigates a painting in Chichester Cathedral depicting Henry VII and Henry VIII and executed by the Netherlandish artist Lambert Barnard. With close attention to the chronology of Henry VIII's reign, it explores the painting's rich religious, political and cultural context, proposes a date for its execution, and reveals its links to Arthurian legend. The painting emerges as a sophisticated work of political theatre and propaganda with important implications for our understanding of early Tudor image-making

Archaeology · Art · Art history · Context (archaeology · Legend · Literature · Painting · Performance art · Political science · Politics · Reign · Historical Studies of British Isles · History · Law · Medieval Literature and History · Reformation and Early Modern Christianity

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Citation velocityhistorical
Highly citedNo

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