Merely Unfriendly or Slightly Critical’

The principal subject of the novel Stead spent much of her later years working on, published after her death, I'm Dying Laughing, is marked by the crisis of the Western left. As the son of one committed leftist and a nephew of another, and as someone who in his schooling and acculturation was highly exposed to the American left of the 1970s, I sensed the same crisis so seismically registered by Steadâ s novel: of incongruity between aspirations and realities, of a distance between the proclaimed populism of the left and its practical elitism, and an odd disjuncture between the family worlds of these leftists and their political philosophies. In this paper, I consider a number of the ways in which Steadâ s novel refracts and engages with the politics of mid-century American leftism and communism, its intellectual culture and ideology, issues that lie at the heart of Steadâ s novel even as it deals with a woman, Emily Wilkes Howard, who, as a wife, as a mother and surrogate mother, as a writer, and as a political entity, ends up being unable to reconcile these contradictions

Communism · Ideology · Left behind · Left-wing politics · Media studies · Nephew and niece · New Left · Political science · Politics · Populism · Psychoanalysis · Sociology · Wife · Contemporary Literature and Criticism · Gender Studies · Law · Poetry Analysis and Criticism · Political and Economic history of UK and US · Psychology