Contemporary Poetry and the Sacred
Vincent Buckley, Les Murray and Samuel Wagon Watson
Bibliographic Data
| ID | 8891972 |
|---|---|
| Authors | Lyn Mccredden (0000-0003-3956-0964, corresponding author) |
| Year | 2007 |
| Publication date | 2007-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Australian Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0004-9697 • E-ISSN: 1837-6479 |
| Publisher | Australian Literary Studies (PUBLISHER • AU) |
| DOI | 10.20314/als.dfeb3c5b4e |
| OpenAlex | W47220609 |
| Language | EN |
| Citations received | 1 |
Amongst contemporary Australian poets there are those whose work can be classed as overtly religious, whose poetry adheres to older, transcendental models of signification, to language and things in intimate, sacred relationship; and there are those poets who have gone along with the post-structural and postmodern loosening of such ties, diving into the various streams of linguistic scepticism. This essay traces the work of three poets—Vincent Buckley, Les Murray and Sam Wagan Watson—and their differing responses to sacredness, particularly in relationship to the city as a place in which sacred and secular jostle each other ambivalently, sometimes tooth and claw
Aesthetics · Art · Art history · Epistemology · Existentialism · Literature · Poetry · Postmodernism · Skepticism · Sociology · Theology · Transcendental number · Watson · Anthropological Studies and Insights · Pentecostalism and Christianity Studies · Philosophy · Travel Writing and Literature
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |