Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria
Bibliographic Data
| ID | 8892167 |
|---|---|
| Authors | Maggie Nolan (0000-0002-9398-4517, corresponding author) |
| Year | 2020 |
| Publication date | 2020-08-27 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Australian Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0004-9697 • E-ISSN: 1837-6479 |
| Publisher | Australian Literary Studies (PUBLISHER • AU) |
| DOI | 10.20314/als.5910cfb010 |
| OpenAlex | W3082175518 |
| Language | EN |
| Citations received | 2 |
This article proposes a reading of Alexis Wright's epic novel Carpentaria that focuses on the mine and its impacts as central to any understanding of the novel. Carpentaria offers a stark portrayal of how resource extraction is intimately linked with both colonisation and capitalism and is sustained through state-sanctioned violence and nationalist ideologies. This article explores the dichotomy between Normal Phantom, who views mining as just another phenomenon in the vast expanse of time, and his son Will, who fights the mine on the understanding that it is an unprecedented threat to the survival of the Waanyi people and their Country. Although I suggest that this wider debate, and the forms of agency it represents, remains unresolved in the novel, I conclude with a meditation on the critically neglected character of Kevin who complicates the novel's uneasy resolution. In the light of ongoing debates about the Adani mine, Carpentaria is more relevant than ever
Agency (philosophy · Art history · Carpentaria · Ideology · Political science · Politics · Social science · Sociology · Sustenance · Wright · African studies and sociopolitical issues · Global Maritime and Colonial Histories · History · Law · Postcolonial and Cultural Literary Studies
| Citations per year | 0.5 |
|---|---|
| Citation span | 2022 - 2025 (4) |
| Highly cited | No |