The Making of Thomas Keneally
Bibliographic Data
| ID | 8892312 |
|---|---|
| Authors | Peter Pierce (corresponding author) |
| Year | 2015 |
| Publication date | 2015-05-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Australian Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 0004-9697 • E-ISSN: 1837-6479 |
| Publisher | Australian Literary Studies (PUBLISHER • AU) |
| DOI | 10.20314/als.c4c4bbd9b1 |
| OpenAlex | W2346636248 |
| Language | EN |
The making of Thomas Keneally can be conventionally addressed in regard to his Irish Catholic working-class ancestry, his discovery of a vocation that was not the priesthood, and the forging of a career that has been at once an artistic and a commercial success. The approach here will be more oblique, examining the role of Manning Clark, the early volumes of whose A History of Australia were an important influence on such novels by Keneally as Bring Larks and Heroes (1968), and to a lesser extent Patrick White, in the making of Thomas Keneally; also the ways in which â as Keneally himself put it, with some ambivalence â â the critics made me.â
Aesthetics · Ambivalence · Art · Irish · Literature · Making-of · Management · Political science · Politics · Psychoanalysis · Reflexive pronoun · Sociology · White (mutation · Working class · Irish and British Studies · Law · Philosophy · Psychology
| Highly cited | No |
|---|