Strange in the Cold Blue Light

The first weekly instalment of the Australian Journal, published on 2 September 1865, declared its intention to â reflect the Literature, Art, and Science of Australiaâ . Issued from Melbourne, its inaugural editorial declared that the journal would engage the â ablest Colonial pens of the dayâ , in an ambitious venture that sought to â please everybodyâ . The promise was to â record the phases of Colonial literature; to direct attention to the triumphs of art; and to explain the most recent efforts of mechanical geniusâ (â To Our Readersâ ). Guided by this statementâ s fusion of different modes of representation and knowledge, its engagement with technological advancement, and its emphasis on place, my purpose here is to explore how a specifically Australian version of sensation was crafted in the serial fiction and scientific non-fiction published in the early years of the Australian Journal. This essay identifies the Australian Journal as a key player in the multiple and multi-directional migrations of text, images and ideas in the Victorian era. The movement of English literature into other Anglophone places in the nineteenth century created a community of connected, if remote, readers who participated in a global network of print as producers, consumers, and agents of circulation. This migration was of literary form, genre, convention, and technique as much as it was of the printed object. Although the material published was often of colonial origin, the Australian Journal, modelled as it was on the London Journal, engaged in the transportation of British literary platforms, genre, and styles, especially sensation, from the centre of Empire to the colonies

Art · Art history · Colonialism · Genius · Literature · Media studies · Sociology · Style (visual arts · Australian History and Society · Australian Indigenous Culture and History · History