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Liminality and Longing in Zora Neale Hurston’s Barracoon

The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon

Bibliographic Data

ID8894810
AuthorsKim Green (Georgia Gwinnett College, Lawrenceville, Georgia, United States), Kim Y Green (Georgia Gwinnett College, corresponding author)
Year2023
Volume54
Issue1
Pages38-49
Publication date2023-10-13
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras-2023-002
OpenAlexW4387609539
LanguageEN
References cited8

In Barracoon: The Story of the Last “Black Cargo” (2018) and At the Full and Change of the Moon (1999), Zora Neale Hurston and Dionne Brand, two prominent African diasporic writers, pen narratives in which they centralize the challenges ingrained in the in-between spaces Black people occupy at the nexus of slavery and freedom. Through Hurston’s non-fiction narrative and Brand’s fictional narrative, they offer us important stories in which two African-descended men, Kossola and Kamena, bravely inhabit that nexus and willfully forge a space in which they assert and pursue their versions of freedom and fulfillment despite the tragedies and longing that haunt them. In Barracoon and At the Full and Change of the Moon, both authors document how persistent freedom quests and insistence on retaining and passing remembrances serve as forms of resistance to consumption by this liminal space. In both texts, then, Hurston and Brand provide us with important African diasporic narratives about the continuity of survival, resilience, and empowerment in the face of tremendous adversity

Aesthetics · African american · African-American literature · Art · Diaspora · Empowerment · Ethnology · Face (sociological concept · Liminality · Literature · Narrative · Nexus (standard · Political science · Sociology · Caribbean history, culture, and politics · Engineering · Gender Studies · History · Law · Postcolonial and Cultural Literary Studies · South African History and Culture

  • Bridges to Memory

    Stella Bolaki•Contemporary Women s Writing•2016

  • This Bitter Earth, What Fruit It Bears”

    Catherine A Stewart•Labor Studies in Working-Class…•2020

  • Zora Neale Hurston’s visual and textual portrait of middle passage survivor Oluale Kossola/Cudjo Lewis

    Hannah Durkin•Slavery and Abolition•2017

  • Barracoon

    Armondo Collins, Armondo R Collins•Utopian Studies•2020

  • The Place She Miss

    Johanna X K Garvey•Callaloo•2003

  • Monstrous Intimacies

    Christina Sharpe, Christina Elizabeth Sharpe et al.•Monstrous Intimacies•2010

Highly citedNo

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