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The Question of Henry James (Revisited)

Bibliographic Data

ID8894905
AuthorsWilliam R Macnaughton (corresponding author)
Year1984
Volume15
Issue3
Pages323-336
Publication date1984-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras-015-03-07
OpenAlexW2073345237
LanguageEN
References cited9

Alwyn Berland. Culture and conduct in the novels of Henry James. Cambridge : Cambridge University Press, 1981.231 + xi pp. Nicola Bradbury. Henry James : The Later Novels. Oxford: Clarendon Press, 1981. 228 pp. James Kirschke. Henry James and Impressionism. Troy, N.Y.: The Whitston Publishing Co., 1981. 333 + ix pp. R. W. J. Wilson. Henry James's Ultimate Narrative : "The Golden Bowl. "St. Lucia: University of Queensland Press, 1981. 329 + xii pp. Ruth Bernard Yeazell. Language and Knowledge in the Late Novels of Henry James. Chicago : The University of Chicago Press, 1980.142 + vii pp. In a peculiar, hostile and fascinating review of James Miller, Jr.'s, book on The Waste Land, John Peter writes, "There's a bitter saying in North Ameri- can universities that the real difference between a businessman and an academic is that, when the businessman knifes a colleague in the back, he knows why."1 Although the smugness in the remark about businessmen seems somewhat chilling to me, I know enough about academic communi- ties to see a modicum of truth in this probably apocryphal observation. I note it here because in the following review of five relatively new books on Henry James, many of my own comments will be less than complementary, in a sense collegial knifings. Readers of this review essay should therefore be skeptical in advance about my motives and qualifications. I am not a Jacobite, and find the writings of Henry James beginning with The Spoils of Poynton to be difficult to read and at times not worth the effort. As a result, I occasionally suspect that his mammoth reputation is an unequi- vocal example of the Emperor's New Clothes, and wonder how a writer so narrow, so evasive, so—despite his self-justifications and self-glorifications in his Prefaces to the New York edition—frequently out of control, could inspire so much adulation

Art · Art history · Literature · Miller · Narrative · Publishing · Skepticism · Theology · Classics · History · Literary Theory and Cultural Hermeneutics · Literature: history, themes, analysis · Philosophy · Shakespeare, Adaptation, and Literary Criticism

  • Henry James and the Visual Arts

    Robert Emmet Long, Viola Hopkins Winner•The New England Quarterly•1971

  • Henry James and the Jacobites

    Oscar Cargill, Maxwell Geismar•American Literature•1964

  • Henry James and Pragmatistic Thought

    Jacques Barzun, Richard A Hocks•American Literature•1975

  • Person, Place, and Thing in Henry James's Novels

    George Monteiro, Charles R Anderson•American Literature•1979

  • Henry James and the Experimental Novel

    Thomas Cooley, Sergio Perosa•American Literature•1979

  • Stephen Crane and Literary Impressionism

    Christoph K Lohmann, James Nagel•American Literature•1982

  • Henry James and the Naturalist Movement

    George Monteiro, Lyall H Powers•American Literature•1972

  • The Ordeal of Consciousness in Henry James

    Oscar Cargill, Dorothea Krook•American Literature•1963

  • The Ambiguity of Henry James

    Open Access•William W Hoffa, Charles Thomas Samuels•American Quarterly•1972

Citation velocityhistorical
Highly citedNo

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