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Re-Visioning American Literary Naturalism

Bibliographic Data

ID8894975
AuthorsMarc Egnal (corresponding author)
Year2018
Volume48
Issue2
Pages171-190
Publication date2018-02-05
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2017.026
OpenAlexW2787050053
LanguageEN
Citations received2
References cited19

Today, two characteristics define literary naturalism, and both are problematic. One is the emphasis on four male writers: Theodore Dreiser, Frank Norris, Stephen Crane, and Jack London. This focus emerged in the 1930s and stemmed from biases against white women and African Americans. The other defining trait is the temporal reach of naturalism. Extrapolating from traits in the works of Dreiser et al., this school now includes the “proletarian writers” of the 1930s and many recent authors. This article presents a new definition, one that emphasizes the distinct nature of the period from 1893 to 1913, when authors and social scientists believed that immutable “laws” of heredity and environment determined human behaviour. This approach broadens the naturalist canon during the classic era, 1893–1913, dethroning those four white males, and excludes most later works

Aesthetics · Art · Epistemology · Literature · Naturalism · Period (music · Political science · Proletariat · White (mutation · American and British Literature Analysis · American Literature and Culture · History · Law · Philosophy · Race, History, and American Society

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Unique citing works2
Citations per year0,33
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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