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I Am Resisting Narrative Here”

The Vietnam War, Postmodernism, and the Ends of American Power in Joan Didion's Democracy

Bibliographic Data

ID8895124
AuthorsStephen Carter (0000-0002-4670-0884, corresponding author)
Year2018
Volume48
Issue3
Pages415-437
Publication date2018-06-27
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2018.006
OpenAlexW2810097641
LanguageEN
References cited38

Set in spring 1975 during the final months of the US war in Southeast Asia, Joan Didion's novel Democracy (1984) incorporates and dismantles four narrative tropes undergirding the projection of American power during the Cold War: first, the so-called Puritan errand into the wilderness, made central by scholars such as Perry Miller in the 1950s; second, the frontier, revitalized by Kennedy's 1960 New Frontier campaign; third, the United States as enlightenment nation, a metaphor of illumination set in cruel relief by its use of atomic weapons; and, finally, the image of the American republic, a self-conception thrown into crisis by the Cold War's apparatuses of state secrecy and surveillance. Drawing these tropes into her own disintegrating narrative, Didion demonstrates that the US war in Vietnam marks the bankruptcy of these self-images, a critique of grand national narratives that, in turn, comprehends the war as essential to registering the emergence of postmodernism

Art · Literature · Narrative · Postmodernism · Power (physics · American Political and Social Dynamics · Asian American and Pacific Histories · History · Literature, Film, and Journalism Analysis

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Citation velocityhistorical
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