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"Yonder they do not love your flesh." Community in Toni Morrison's Beloved

The Limitations of Citizenship and Property in the American Public Sphere

Bibliographic Data

ID8895800
AuthorsDara N Byrne (corresponding author), Dara Byrne (0000-0001-9176-0635)
Year1999
Volume29
Issue2
Pages25-60
Publication date1999-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras-029-02-02
OpenAlexW2061212470
LanguageEN
References cited11

Americans' fear of being outcast, of failing, of powerlessness; their fear of boundarylessness, of Nature unbridled and crouched for attack; their fear of the absence of so-called civilization; their fear of loneliness, of aggression both external and internal. In short, the terror of human freedom—the thing they coveted most of all. (Morrison 1992, 37) Beloved (1987), Toni Morrison's Reconstruction-era slave narrative, locates freedom in the autonomous act of death, which transforms the impetus of the nineteenth-century American public sphere, the slave population, by perma- nently nullifying potential capital gains from the slave's production output. By exercising sovereignty of self and revoking the imposition of Western economic classifications on the body, death enables the slave to shift the lo- cus of power away from the master

Aesthetics · Ancient history · Art · Capital (architecture · Citizenship · Civilization · Literature · Loneliness · Narrative · Political science · Population · Power (physics · Property (philosophy · Public sphere · Sociology · Sovereignty · American Literature and Culture · Demography · History · Latin American and Latino Studies · Law · Philosophy · Psychology · Race, History, and American Society · Social Psychology

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Citation velocityhistorical
Highly citedNo

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