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Chain-Gang Gothic

The Colonel’s Dream and the Spectacular Terrors of State Punishment

Bibliographic Data

ID8895849
AuthorsJason Haslam (0000-0003-2106-3505, corresponding author)
Year2019
Volume50
Issue2
Pages220-240
Publication date2019-11-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2018.020
OpenAlexW2995512317
LanguageEN
Citations received1
References cited19

Charles Chesnutt’s 1905 novel The Colonel’s Dream meditates on the structures of spectacle and ignorance that create a continuity of white privilege and white supremacy from North to South, and on the role that the nascent prison-industrial complex plays in that process. Chesnutt uses occasional gothic irruptions within his otherwise realist and sentimental form to show how “hidden” and spectacular punishments, legal and extra-legal state violence, all function to impose a purposeful ignorance of their very existence: punishments, their spectacular renditions, and the public’s turning away from them combine to become a structuring aporia that maintains white supremacy in the face of democratic resistance

Aesthetics · Art · Dream · Ignorance · Political science · Prison · Privilege (computing · Punishment (psychology · Racism · Spectacle · State (computer science · White (mutation · White supremacy · Crime, Deviance, and Social Control · Gothic Literature and Media Analysis · Law · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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