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The Forensic Gothic

Knowledge, the Supernatural, and the Psychic Detective

Bibliographic Data

ID8895863
AuthorsAnn McGuire (corresponding author), David Buchbinder (0000-0002-9470-3473)
Year2010
Volume40
Issue3
Pages289-307
Publication date2010-12-01
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.40.3.289
OpenAlexW2020947465
LanguageEN
References cited8

This article analyses two television series first screened in 2005: Medium and Supernatural. It argues that, in the context of post-9/11 anxieties about the surveillance and defence of the borders of nation/family, the narrative use of paranormal phenomena offers a new forensic model. While traditional detective narratives rely on empiricist, Enlightenment ways of identifying and defending against the invisible, threatening other—making it visible and hence allaying the fears that it excites—these programs, drawing on the narrative strategies of both the detective story and the Gothic tale, offer a way of knowing the unknown and seeing the unseeable

Aesthetics · Archaeology · Art · Context (archaeology · Detective fiction · Empiricism · Enlightenment · Epistemology · Literature · Narrative · Paranormal · Psychic · Sociology · Crime and Detective Fiction Studies · Gothic Literature and Media Analysis · History · Medicine · Narrative Theory and Analysis · Philosophy

  • Ghostly Matters

    Avery F Gordon, Janice Radway•Ghostly Matters•2010

  • The Haunted

    Open Access•Owen Davies•The Haunted•2007

  • The Cambridge Companion to Gothic Fiction

    Open Access•E J Clery, Robert Miles et al.•The Cambridge companion to gothic…•2002

  • Postmodernism, or, The Cultural Logic of Late Capitalism

    Fredric Jameson•Postmodernism, or, the Cultural…•2020

  • The New Eighteenth Century

    Jerry C Beasley, Felicity Nussbaum et al.•Modern Language Studies•1990

  • Gothic Sublimity

    David B Morris•New Literary History•1985

Highly citedNo

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