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Women, Workers, and Community

Working-Class Visions and Workers' Theatre in the 1930s

Bibliographic Data

ID8895865
AuthorsColette A Hyman (corresponding author)
Year1992
Volume23
Issue1
Pages15-38
Publication date1992-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras-023-01-02
OpenAlexW2052996393
LanguageEN
Citations received1
References cited13

Introduction. In the concluding scene of Paul Peters and George Sklar's play, Stevedore, one of the most powerful plays of the workers' theatre movement of the 1930s, the community of African American dockworkers is fighting off an attack by a vicious White racist mob. Suddenly, the White union organizer and his followers arrive to lend support to the African American community, and Binnie, the community's unofficial leader, who had until then remained in the background, aims a pistol at the mob's ringleader and fires. She shouts exultantly: "I got him! That red-headed son-of-a-bitch, I got him! I got him!" (123). A cry of triumph arises from the crowd, and a few moments later, the final curtain falls

Art · Art history · George (robot · Media studies · Political science · Politics · Sociology · Vision · White (mutation · Working class · Anthropology · Gender Studies · History · Law · Race, History, and American Society · Theater, Performance, and Music History · Theatre and Performance Studies

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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