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Dis Slackness Ting’

A Dichotomizing Master Narrative in Jamaican Dancehall

Bibliographic Data

ID8901262
AuthorsSonja Niah Stanley (corresponding author)
Year2005
Volume51
Issue3-4
Pages55-76
Publication date2005-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCaribbean Quarterly (JOURNAL)
Journal identifiersISSN: 0008-6495 • E-ISSN: 2470-6302
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/00086495.2005.11672276
OpenAlexW226575748
LanguageEN
Citations received4
References cited32

This paper reviews varied representations of Dancehall in some of the existing literature with particular focus on the debates that have occupied writers for the past two decades. These writings have indeed given Dancehall 'cartographic representation' and their contribution to the construction of a cultural history and ecology of Dancehall is noteworthy. The paper does not present a historiography of Dancehall music and culture; rather, it reviews and critiques some of the central debates while advancing an ecological agenda. Most noteworthy is the way slackness has to be understood as a master narrative that has occupied the Dancehall, and that within this debate lies its own destabilization and de-legitimation

Archaeology · Art · Art history · Genealogy · Historiography · Legitimation · Literature · Narrative · Political science · Politics · Representation (politics · Sociology · Caribbean history, culture, and politics · Cuban History and Society · History · Law · Music History and Culture

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Unique citing works4
Citations per year0,24
Citation span2009 - 2021 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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