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Interpretation's Contrapuntal Pathways

Addams and the Averbuch Affair

Bibliographic Data

ID8903207
AuthorsFischer Fischer (corresponding author)
Year2011
Volume47
Issue4
Pages482-482
Publication date2011-01-01
Open AccessNo
TypeARTICLE
VenueTransactions of the Charles S Peirce Society (JOURNAL)
Journal identifiersISSN: 0009-1774 • E-ISSN: 1558-9587
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/trancharpeirsoc.47.4.482
OpenAlexW2029139239
LanguageEN
Citations received3
References cited12

In March 1908 the Chicago Police Chief shot Lazarus Averbuch, a young, Russian Jewish immigrant, claiming self-defense against an anarchist plot. Jane Addams refused to join the public's outcry of support for their chief, declaring that she had the obligation to interpret rather than denounce the incident. Her analysis of Averbuch's killing, given in her essay, The Chicago Settlements and Social Unrest, provides a focal point for seeing how interpretation functions as a unifying theoretical category for Addams, bringing together her activism, her style of writing, and her philosophy of social change. Addams's conception of interpretation is multi-faceted and dynamic; the interweaving lines of contrapuntal music give a fitting metaphor. I analyze the essay's presentation of interpretation in terms of three contrapuntal voice-lines: as dramatization, as mediation-advocacy, and as reconstruction

Art · Interpretation (philosophy · Linguistics · Literature · Media, Communication, and Education · Philosophy · Pragmatism in Philosophy and Education · Rhetoric and Communication Studies

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Citations per year0.27
Citation span2015 - 2025 (11)
Highly citedNo

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