"Race" ([min] [zu])
Chinese Film and the Politics of Nationalism
Bibliographic Data
| ID | 8905154 |
|---|---|
| Authors | C Berry (0000-0002-5752-3107, corresponding author) |
| Year | 1992 |
| Volume | 31 |
| Issue | 2 |
| Pages | 45-45 |
| Publication date | 1992-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1225143 |
| OpenAlex | W2313840740 |
| Language | EN |
| Citations received | 14 |
Art · Humanities · Nationalism · Political science · Politics · Race (biology · Sociology · Asian Culture and Media Studies · Gender Studies · Hong Kong and Taiwan Politics · Japanese History and Culture · Law
In Memory of Meishu Film
The Rise of Han‐Centrism and What It Means for International Politics
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’
Receiving the Classics
From Ancient Zhiguai Tales to Contemporary Animation
Dematerialization and Digital Ink-Painting Aesthetics in Contemporary Chinese Animation
Getting Real
Tracing the City’s Scars
Contemporizing the National Style in Chinese Animation
South Korean film melodrama and the question of national cinema
Narratives in film title translation
The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–76
Nationalism and heroism with Chinese characteristics
Tracking on the “Edge” of Chinese Discourses
| Unique citing works | 14 |
|---|---|
| Citations per year | 0,56 |
| Citation span | 2001 - 2025 (25) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 14 |