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Images and Words in Ingmar Bergman's Films

Bibliographic Data

ID8905264
AuthorsBirgitta Steene (corresponding author)
Year1970
Volume10
Issue1
Pages23-23
Publication date1970-01-01
Open AccessNo
TypeARTICLE
VenueCinema Journal (JOURNAL)
Journal identifiersISSN: 0009-7101 • E-ISSN: 1527-2087
PublisherJSTOR (PUBLISHER)
DOI10.2307/1224993
OpenAlexW2325313085
LanguageEN
Citations received1

Like many of his critics Bergman also tends to confuse the term with verbal, a word that is anathema among most film people as it implies that language is made to carry the real message of a film rather than assist the cinematic image or sequence. But we can of course define the term literary in a much broader sense as certain modes of expression pertaining to an art form that may use narrative as its basis (novel); or character conflict (drama); or sound, rhythm, and metaphor (certain types of poetry). Bergman certainly transfers such formal patterns to the screen. In the early stages of his career he tends, however, to rely too much on

Art · Humanities · Kierkegaardian Philosophy and Influence · Literature and Cultural Memory

  • Aparienias de la variación

    Open Access•David Vázquez Couto•Fotocinema Revista científica de…•2016

Citations per year0.1
Citation span2016 - 2016 (1)
Highly citedNo

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