Christine Gledhill on "Stella Dallas" and Feminist Film Theory
Bibliographic Data
| ID | 8905279 |
|---|---|
| Authors | Christine Gledhill (0000-0001-7834-3511, corresponding author) |
| Year | 1986 |
| Volume | 25 |
| Issue | 4 |
| Pages | 44-44 |
| Publication date | 1986-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1225082 |
| OpenAlex | W2322665686 |
| Language | EN |
| Citations received | 6 |
Art · Art history · Humanities · STELLA (programming language · Visual arts · Cinema and Media Studies · Italian Fascism and Post-war Society
Toward a Philosophy of Melodrama
“Whatever Happened to Sentiment in the World Today?” Notes on John Cassavetes’s Experimental Melodramas
“An . . . Unmarried Mother Sat in a Wing-Backed Chair on TV Last Night . . .”
Costume Cinema and Materiality
A Father's Body, a Nation's Heart—Caregiving Fathers in Contemporary Norwegian Film
Letters from a well-known woman
| Citations per year | 0.33 |
|---|---|
| Citation span | 2008 - 2024 (17) |
| Highly cited | No |