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Literary History in Transnational Mode

The Challenges of Writing a History of East-Central European Literatures

Bibliographic Data

ID8909673
AuthorsMarcel Cornis-Pope (corresponding author)
Year2013
Volume50
Issue2
Pages204-210
Publication date2013-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative Literature Studies (JOURNAL)
Journal identifiersISSN: 0010-4132 • E-ISSN: 1528-4212
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/complitstudies.50.2.0204
OpenAlexW2304506595
LanguageEN
Citations received1
References cited2

As Priscilla Wald notes in her comments on A New Literary History of America, edited by Greil Marcus and Werner Sollors (2009), “Literary history is not at all a dead activity. Genres, like disciplines, are dynamic, as is the concept of the literary.” As she explains further, the guiding principle of A New Literary History of America is prismatic, assembling various disciplinary perspectives and offering a “carnival of style, voice, and topic.” The various chapters in it “function as individual vignettes, moments in time that readily form connections to other vignettes and help the reader see constellations among eras.”1 The prismatic, multicultural, and to some extent multimedia model of literary history that Wald describes has been applied in a few recent histories, including A Comparative History of Literatures in the Iberian Peninsula, edited by Fernando Cabo Aseguinolaza, Anxo Abuin Gonzalez, and Cesar Dominguez, and History of the Literary Cultures of East-Central Europe which I coedited with John Neubauer.2 The latter work, published in four volumes between 2004 and 2010, attempts a comprehensive transnational study of the cultural and literary region that stretches from the Baltic countries to Bulgaria and Albania and from Ukraine and Moldova in the east to the Czech Republic in the west. Representing the joint work of more than 120 contributors from Europe, the United States, Canada, and Australia, this project, sponsored by the International Comparative Literature Association, is not a chronological narrative, but an experiment in writing literary history that acknowledges ruptures as well as transnational connections. Hence the project’s subtitle: Conjunctures and Disjunctures in the 19th and 20th Centuries

Art · History of literature · Literature · Mode (computer interface · Comparative Literary Analysis and Criticism · Computer Science · European Cultural and National Identity · History · Spanish Literature and Culture Studies

  • Introduction

    Jesse Van Amelsvoort, Margriet Van Der Waal•Continuum•2024

  • The Exile and Return of Writers from East-Central Europe

    John Neubauer, Borbala Zsuzsanna Török•Exile and Return of Writers from…•2009

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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