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A Parrot without Feathers? Ventriloquy, Orality, and Nostalgia in Vargas Llosa's The Storyteller and pauline Melville's The Ventriloquist's Tale

Bibliographic Data

ID8910653
AuthorsVéronique Bragard (corresponding author), Geneviève Fabry (0000-0002-8991-6634)
Year2016
Volume53
Issue3
Pages454-477
Publication date2016-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative Literature Studies (JOURNAL)
Journal identifiersISSN: 0010-4132 • E-ISSN: 1528-4212
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/complitstudies.53.3.0454
OpenAlexW2524638115
LanguageEN
Citations received1
References cited7

This article seeks to shed new light onto the inscription of indigenous mythical tales in the contemporary postcolonial novel by way of a comparative and contrastive analysis of Vargas Llosa's The Storyteller (1987) and Pauline Melville's first novel The Ventriloquist's Tale (1997). It examines the narrators' oral tales that use ventriloquy to recuperate the voice of the other who emerges as both absent and present in the diverted language of the ventriloquist. The attempt to avert the loss of access to indigenous culture and its cosmogonies is considered here as a nostalgic gesture. Boym's distinction between restorative and transformative nostalgia allows one to underline how Vargas Llosa's and Melville's works further explore the paradox inherent in the act of inscribing non-Western oral myths within the novel, a genre associated with a written tradition

Art · Art history · Indigenous · Literature · Mythology · Narrative · Orality · Representation (politics · Sociology · Storytelling · Transformative learning · Caribbean and African Literature and Culture · Folklore, Mythology, and Literature Studies · History · Law · Narrative Theory and Analysis

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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