Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Perlini's Othello

Bibliographic Data

ID8917892
AuthorsKate Davy (corresponding author)
Year1975
Volume19
Issue4
Pages19-26
Publication date1975-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145011
OpenAlexW2797657025
LanguageEN

Memé Perlini is the producer and artistic director of “La Maschera” of Rome. His fourth spectacle, Otello (Othello) billed as “after Shakespeare,” was presented in May, 1975, at the World Theatre Festival in Nancy, France. The piece was originally created at the Venice Biennale where it was performed in a sixteenth century church for 2,300 spectators in November, 1974. In Nancy, Otello was presented in a large gymnasium-like exhibition hall. The audience seating section was placed at one end of the rectangular space and consisted of tiered bleachers with a seating capacity of approximately 2,000 people. The spectators entered the building from behind the bleachers and immediately encountered hundreds of white paper plates spread neatly across the floor. Walking on the plates, around the bleachers, the spectators confronted the space. Creating a polka-dot pattern, the plates covered the entire floor area except that used for performing

Advertising · Art · Art history · Exhibition · Political science · Section (typography · Space (punctuation) · Spectacle · Visual arts · White (mutation · Computer Science · Italian Fascism and Post-war Society · Law

Citation velocityhistorical
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae