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Ontological-Hysteric Theatre

Third Manifesto

Bibliographic Data

ID8917905
AuthorsRichard Foreman (corresponding author)
Year1975
Volume19
Issue4
Pages71-81
Publication date1975-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145019
OpenAlexW2798101978
LanguageEN

the process of living always grows out of or is based on certain assumptions: these are like the soil on which we stand, or which we use as a point of departure. And this is true in every field....Every idea is thought, every picture is painted, out of certain assumptions or conventions which are so basic, so firmly fixed for the one who thought the idea or painted the picture that he neither pays heed to them, nor, for that matter, introduces them into his picture or idea; nor do we find them there in any guise except as presupposed and left, as it were, to one side. This is why we sometimes fail to understand an idea or a picture; we lack the clue to the enigma, the key to the secret convention. Ortega y Gasset

Aesthetics · Convention · Epistemology · Field (mathematics · Key (lock · Manifesto · Point (geometry · Political science · Social science · Sociology · Comparative Literary Analysis and Criticism · Computer Science · Latin American Literature Studies · Law · Mathematics · Philosophy · Spanish Philosophy and Literature

Citation velocityhistorical
Highly citedNo

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