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Colosimo's Freud, Mein Freund

Bibliographic Data

ID8917924
AuthorsMario Prosperi (corresponding author)
Year1979
Volume23
Issue1
Pages49-50
Publication date1979-03-01
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145243
OpenAlexW2796209437
LanguageEN

Gianni Colosimo is the founder and sole member of the Teatro Ludico Libidinale (Ludicrous Libidinal Theatre). His performance, the title of which means “Freud, My Friend,” announces a personal poetics in autoperformance. Colosimo does individually what others in the so-called Post Avant-Garde (T77) do collectively; that is, he plays with “symptoms” of his own pathology and puts them together in a sort of “kinetic” analysis. He tries to materialize the process of “forming” his unconscious, according to Freudian schemes of assimilation. Colosimo identifies himself with the Oedipus character, but the onstage “analysis” is more a cruel ceremony (as in Artaud) than the kind of analytical cruelty that has come to be identified with the Post Avant-Garde and Body artists. The myth is, for him, more important than the materials

Art · Art history · Ceremony · Character (mathematics · Criminology · Cruelty · Freudian slip · Literature · Mythology · Oedipus complex · Poetics · Poetry · Psychoanalysis · Psychoanalytic theory · Sociology · Theology · Art, Aesthetics, and Perception · Art, Politics, and Modernism · Philosophy · Psychology

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