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Women's Theatre Groups

Bibliographic Data

ID8917933
AuthorsCharlotte Rea (corresponding author)
Year1972
Volume16
Issue2
Pages79-89
Publication date1972-06-01
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1144718
OpenAlexW2798181216
LanguageEN
Citations received1

Women's theatre groups in the United States have developed during the last five years as a means of exploring and expressing women's identity, potentialities, and the nature of oppression. By dramatizing their conflicts and joys, the women in these groups seek to make other women feel good about being female and to experience outrage at what they consider to be the gross injustices in the relationship between the sexes. Feminists began forming their own theatre groups because they felt stifled by male domination in both the traditional and experimental theatre worlds. The groups, most in the New York area, vary in performing style, intent and internal structure from the traditional mode of The New Feminist Theatre, a group with a well-defined leader, to the collective arrangement of the It's All Right to be Woman Theatre, where feminism is expressed through the structure of the group and theatre pieces

Aesthetics · Art · Collective identity · Feminism · Mode (computer interface · Oppression · Outrage · Political science · Politics · Sociology · Style (visual arts · Visual arts · Cultural Studies and Interdisciplinary Research · Gender Studies · Law · Theatre and Performance Studies

  • Feminist theatre

    Patti P Gillespie•Quarterly Journal of Speech•1978

Citations per year0.02
Citation span1978 - 1978 (1)
Highly citedNo

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