Organizational Mediation
The Paris Commune Theatre Law
Bibliographic Data
| ID | 8917944 |
|---|---|
| Authors | Darko Suvin (0000-0003-1856-3314, corresponding author) |
| Year | 1969 |
| Volume | 13 |
| Issue | 4 |
| Pages | 26-42 |
| Publication date | 1969-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144479 |
| OpenAlex | W2797386479 |
| Language | EN |
| Citations received | 1 |
To be radical means to grasp things by the root. And the root for man is man himself. —Karl Marx, “Toward the Critique of Hegel's Philosophy of Law” (1843) And the root for theatre is people showing forth human relations to people. —a corollary (1969) In a certain sense, politics—the organization of people's living together—is always implicit in the theatre performance, whose one defining trait is the presence of figures showing forth human relations in the “holy circle” of the stage. The only matter of special interest here is to find out when, why, and how the normative framework of human relations on the stage begins to differ so radically from a code acceptable to the audience that the performance has to explicate, thematize, and make programmatic its new and strange ethics and politics
Aesthetics · Epistemology · Hegelianism · Mediation · Normative · Political science · Politics · Root (linguistics · Social science · Sociology · French Urban and Social Studies · Historical and Literary Studies · Law · Law in Society and Culture · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,1 |
| Citation span | 2016 - 2016 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |