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Experiments in the Art of the Dance

Bibliographic Data

ID8918017
AuthorsNikolai Foregger (corresponding author)
TranslatorsDavid Miller (0000-0002-3868-5792)
Year1975
Volume19
Issue1
Pages74-77
Publication date1975-03-01
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1144971
OpenAlexW2797270604
LanguageEN
Citations received1

The contemporary era is a working era. Every day, every hour—a new thrust forward, a new blow at the dying order. Simplicity, precision, expediency—these are the requirements called for in works of art. “I create-as the bird sings”; “I am above all and create what my leg desires”; “Art is accidental”; “Art for art's sake,” are phrases that now have been forgotten. The muses have become production workers and have dispersed to their respective trade unions. They meet not on Olympus but at the All Union Central Council of Trade Unions (VTSPS), and are summoned not by Apollo but by Tomski. The dance fulfills certain functions, strengthens the basics for self-discipline in the masses, provides practice for the learning and mastery of rhythm (mass dances), which is so necessary in all labor processes. It can be said that the work of the Scientific Organization of Labor (NOT) is the inculcation of the dancing instinct in industrial manufacturing

Accidental · Aesthetics · Art · Business · Contemporary dance · Dance · Instinct · Movement (music · Order (exchange · Sociology · Trade union · Visual arts · Arts, Culture, and Music Studies · Security, Politics, and Digital Transformation · Technology, Environment, Urban Planning

  • The prodigal son's Russian roots

    Marilyn Hunt•Dance Chronicle•1981

Citations per year0.02
Citation span1981 - 1981 (1)
Highly citedNo

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