Some Religious Aspects of Indian Traditional Theatre
Bibliographic Data
| ID | 8918026 |
|---|---|
| Authors | Farley Richmond (corresponding author) |
| Year | 1971 |
| Volume | 15 |
| Issue | 2 |
| Pages | 122-131 |
| Publication date | 1971-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144630 |
| OpenAlex | W2797739531 |
| Language | EN |
| Citations received | 1 |
Many Indian traditional theatre performances are connected with different Hindu religious cults and deities and performed by devotees. Drawing upon a common body of religious literature—the Puranas, the Mahabharata, and the Ramayana —these theatres enact the individual episodes especially meaningful to a given deity, cult, and, sometimes, region. Since they are most often performed within a religious context, they require ritual cleanliness and other devotional observances. These, the most overtly religious actions, may occur at the opening or closing or may suffuse the entire performance, in which case the performance itself is a votive offering. The main rituals connected with Indian traditional theatre begin in the dressing room hours before a performance. Thus, Kathakali actors begin their makeup procedures with a silent prayer for success
Aesthetics · Ancient history · Archaeology · Art · Context (archaeology · Cult · Hinduism · Prayer · Sociology · Spirituality · Visual arts · History · Medicine · Philosophy · Religious studies · South Asian Cinema and Culture · Theater, Performance, and Music History · Theatre and Performance Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |